|
|
Node:Jazz chords,
Next:MIDI instruments,
Previous:American Chords,
Up:Refman appendix
Jazz chords
Similarly, Jazz style chord names are implemented as a variation on
American style names:
scheme = \chords {
% major chords
c
c:6 % 6 = major triad with added sixth
c:maj % triangle = maj
c:6.9^7 % 6/9
c:9^7 % add9
% minor chords
c:m % m = minor triad
c:m.6 % m6 = minor triad with added sixth
c:m.7+ % m triangle = minor major seventh chord
c:3-.6.9^7 % m6/9
c:m.7 % m7
c:3-.9 % m9
c:3-.9^7 % madd9
% dominant chords
c:7 % 7 = dominant
c:7.5+ % +7 = augmented dominant
c:7.5- % 7b5 = hard diminished dominant
c:9 % 7(9)
c:9- % 7(b9)
c:9+ % 7(#9)
c:13^9.11 % 7(13)
c:13-^9.11 % 7(b13)
c:13^11 % 7(9,13)
c:13.9-^11 % 7(b9,13)
c:13.9+^11 % 7(#9,13)
c:13-^11 % 7(9,b13)
c:13-.9-^11 % 7(b9,b13)
c:13-.9+^11 % 7(#9,b13)
% half diminished chords
c:m5-.7 % slashed o = m7b5
c:9.3-.5- % o/7(pure 9)
% diminished chords
c:m5-.7- % o = diminished seventh chord
}
\score {
\notes <
\context ChordNames \scheme
\context Staff \transpose c'' \scheme
>
\paper {
\translator {
\ChordNamesContext
ChordName \override #'word-space = #1
ChordName \override #'style = #'jazz
}
}
}
|
|
Go back to index of LilyPond.
Please send GNU LilyPond questions and comments to
lilypond-user@gnu.org.
Please send comments on these web pages to
lilypond@packages.debian.org
Copyright (c) 1997--2001 Han-Wen Nienhuys and Jan Nieuwenhuizen.
Verbatim copying and distribution of this entire article is
permitted in any medium, provided this notice is preserved.
|